princeowl:

kurosakihisoka:

covocal:

manylifehacks:

Always order Papa John’s Pizza online. The code 25OFF works every time for 25% off your order. 

any blog that saves me money is a blog i will forever follow

this post just saved my life. the coupon is valid until early 2015

http://www.retailmenot.com/

this is why im so rich and i have so many nice things, youre welcome 

MBTI In Stressful Situations

sixteentypes:

INFP: diligently ignores problem until it’s too big to manage
ESTJ: ‘exactly as i say, or else’
ISFP: lists and lists and lists and lists…
ESFJ: vocalizes everything they’re doing
ISFJ: ♫ move bitch, get out the way 
ENTP: too interested by the options to do anything
ISTJ: cool headed, but harsh like ice
ENFP: heart rate over 9000
INTP: never does anything despite completely understanding the problem
ENTJ: step aside or get crushed underfoot
ISTP: nothing like a full-blown crisis to get back into the zone
ENFJ: assumes responsibility and approaches with logic
INFJ: adrenaline rush or complete paralysis
ESTP: acts first, figures out later
INTJ: devises a universal system to resolve the problem for all time
ESFP: needs space to figure things out

anatomicalart:

Quickest way to improvement? Practice. It’s a simple bit of advice that rings with absolute truth. Articles, tips, mentors, and study will never get you as far as rolling up your sleeves and getting down to work, be it animation or any other skill. Today we’ve compiled a list of exercises, like animation push-ups, that will get your art skills buff and toned.
Maybe you still need convinced of how important the “Art of Doing” is? Look no further than the early days of animation, especially at the Disney studio. Here were a group of animators (before being an animator was even a thing) who HAD no books to read, or websites to visit, or even experienced animators to ask. They learned via the age old art of hands-on training, experimenting and discovering as they went. And some would argue they created some of the greatest animation to ever be seen. Masterpieces like the dwarfs dancing in Snow White or the terror of the Monstro scene in Pinocchio. So be like them! Get out there and do animation!

Some of these exercises you may have done or seen before; some maybe not. Consider doing each of them, even if you did once previously, because returning to an old exercise to see how much you’ve progressed is a very valuable experience.
Level 1 Exercises
(Do not discount their simplicity! Here you have the principals of animation, which all other animation is built on. They are worth your time and effort.)
Ball Bouncing in place, no decay (loop)
Ball Bouncing across the screen
Brick falling from a shelf onto the ground
Simple character head turn
Character head turn with anticipation
Character blinking
Character thinking [tougher than it sounds!]
Flour Sack waving (loop)
Flour Sack jumping
Flour Sack falling (loop or hitting the ground)
Flour Sack kicking a ball
Level 2 Exercises
Change in Character emotion (happy to sad, sad to angry, etc.)
Character jumping over a gap
Standing up (from a chair)
Walk Cycle [oldie but goodie!]
Character on a pogo stick (loop)
Laughing
Sneezing
Reaching for an object on a shelf overhead
Quick motion smear/blur
Taking a deep breath [also tougher than it sounds!]
A tree falling
Character being hit by something simple (ball, brick, book)
Run Cycle
Level 3 Exercises
Close up of open hand closing into fist
Close up of hand picking up a small object
Character lifting a heavy object (with purpose!)
Overlapping action (puffy hair, floppy ears, tail)
Character painting
Hammering a nail
Stirring a soup pot and tasting from a spoon
Character blowing up a balloon
Character juggling (loop)
Scared character peering around a corner
Zipping up a jacket
Licking and sealing an envelope
Standing up (from the ground)
Pressing an elevator button and waiting for it
Starting to say something but unsure of how
Level 4 Exercises
Character eating a cupcake
Object falling into a body of water
Two characters playing tug-of-war
Character dealing a deck of cards out
The full process of brushing one’s teeth
A single piece of paper dropping through the air
Run across screen with change in direction
Sleeping character startled by alarm then returning to sleepy state
Opening a cupboard and removing something inside
Putting on a pair of pants
Opening the “world’s best gift” and reacting
Any of the above exercises using a very heavy character/object next to a very light character/object. Enhance the differences the weight change makes!
Things to keep in mind:
Reading these exercises will do as much for you as reading about push-ups would do for your physical muscles: NOTHING. If you want the benefit, you must animate them. Take a deep breath and just do it.
Do not forget the famous words of Ollie Johnston: “You’re not supposed to animate drawings [3D models]. You’re supposed to animate feelings.” If a character isn’t thinking, they aren’t alive, and the animation has failed.
Keep it simple! There is no reason to over complicate any of these exercises. Going back to push-ups, would push-ups be harder if while doing them you also recited the Gettysburg Address? Yes. Would they be any more beneficial? No. Keep things nice and simple and clear.
Do your best. There is no reason to do these exercises poorly. Give it your all. You don’t have to show anyone, these are for you. You owe it to yourself to try your very best. Something not quite right? Take the time to fix it.
As always, have fun. Push ups are not fun. Animation is supposed to be. Be joyful in your work!
Have any questions about the exercises above? Leave a comment below and we’ll answer them the best we can! Someone else may be wondering the exact same thing, so you’ll help them too. Likewise if someone is looking for possible exercises, why not share a link to these and give them a hand?

Article featured on AnimatorIsland.com [Source]Article composed by J.K. RIKIMARCH 18, 2013Follow @AnimatorIsland on Twitter for more updates tips and tricks.

anatomicalart:

Quickest way to improvement? Practice. It’s a simple bit of advice that rings with absolute truth. Articles, tips, mentors, and study will never get you as far as rolling up your sleeves and getting down to work, be it animation or any other skill. Today we’ve compiled a list of exercises, like animation push-ups, that will get your art skills buff and toned.

Maybe you still need convinced of how important the “Art of Doing” is? Look no further than the early days of animation, especially at the Disney studio. Here were a group of animators (before being an animator was even a thing) who HAD no books to read, or websites to visit, or even experienced animators to ask. They learned via the age old art of hands-on training, experimenting and discovering as they went. And some would argue they created some of the greatest animation to ever be seen. Masterpieces like the dwarfs dancing in Snow White or the terror of the Monstro scene in Pinocchio. So be like them! Get out there and do animation!

image

Some of these exercises you may have done or seen before; some maybe not. Consider doing each of them, even if you did once previously, because returning to an old exercise to see how much you’ve progressed is a very valuable experience.

Level 1 Exercises

(Do not discount their simplicity! Here you have the principals of animation, which all other animation is built on. They are worth your time and effort.)

  1. Ball Bouncing in place, no decay (loop)
  2. Ball Bouncing across the screen
  3. Brick falling from a shelf onto the ground
  4. Simple character head turn
  5. Character head turn with anticipation
  6. Character blinking
  7. Character thinking [tougher than it sounds!]
  8. Flour Sack waving (loop)
  9. Flour Sack jumping
  10. Flour Sack falling (loop or hitting the ground)
  11. Flour Sack kicking a ball
Level 2 Exercises
  1. Change in Character emotion (happy to sad, sad to angry, etc.)
  2. Character jumping over a gap
  3. Standing up (from a chair)
  4. Walk Cycle [oldie but goodie!]
  5. Character on a pogo stick (loop)
  6. Laughing
  7. Sneezing
  8. Reaching for an object on a shelf overhead
  9. Quick motion smear/blur
  10. Taking a deep breath [also tougher than it sounds!]
  11. A tree falling
  12. Character being hit by something simple (ball, brick, book)
  13. Run Cycle
Level 3 Exercises
  1. Close up of open hand closing into fist
  2. Close up of hand picking up a small object
  3. Character lifting a heavy object (with purpose!)
  4. Overlapping action (puffy hair, floppy ears, tail)
  5. Character painting
  6. Hammering a nail
  7. Stirring a soup pot and tasting from a spoon
  8. Character blowing up a balloon
  9. Character juggling (loop)
  10. Scared character peering around a corner
  11. Zipping up a jacket
  12. Licking and sealing an envelope
  13. Standing up (from the ground)
  14. Pressing an elevator button and waiting for it
  15. Starting to say something but unsure of how
Level 4 Exercises
  1. Character eating a cupcake
  2. Object falling into a body of water
  3. Two characters playing tug-of-war
  4. Character dealing a deck of cards out
  5. The full process of brushing one’s teeth
  6. A single piece of paper dropping through the air
  7. Run across screen with change in direction
  8. Sleeping character startled by alarm then returning to sleepy state
  9. Opening a cupboard and removing something inside
  10. Putting on a pair of pants
  11. Opening the “world’s best gift” and reacting
  12. Any of the above exercises using a very heavy character/object next to a very light character/object. Enhance the differences the weight change makes!
Things to keep in mind:
  • Reading these exercises will do as much for you as reading about push-ups would do for your physical muscles: NOTHING. If you want the benefit, you must animate them. Take a deep breath and just do it.
  • Do not forget the famous words of Ollie Johnston: “You’re not supposed to animate drawings [3D models]. You’re supposed to animate feelings.” If a character isn’t thinking, they aren’t alive, and the animation has failed.
  • Keep it simple! There is no reason to over complicate any of these exercises. Going back to push-ups, would push-ups be harder if while doing them you also recited the Gettysburg Address? Yes. Would they be any more beneficial? No. Keep things nice and simple and clear.
  • Do your best. There is no reason to do these exercises poorly. Give it your all. You don’t have to show anyone, these are for you. You owe it to yourself to try your very best. Something not quite right? Take the time to fix it.
  • As always, have fun. Push ups are not fun. Animation is supposed to be. Be joyful in your work!

Have any questions about the exercises above? Leave a comment below and we’ll answer them the best we can! Someone else may be wondering the exact same thing, so you’ll help them too. Likewise if someone is looking for possible exercises, why not share a link to these and give them a hand?

Article featured on AnimatorIsland.com 
[Source]
Article composed by J.K. RIKI
MARCH 18, 2013
Follow @AnimatorIsland on Twitter for more updates tips and tricks.

notmydate:

If you watch this show carefully there is a subtext about John drinking | Steven Moffat.

Inspired by thekneegrope's fabulous post:  [X]

bonus gif:

image

durnesque-esque:

datfamilybusiness:

Let them go.
Inspired by (x)

The sand glows white in the desert tonightNot a single patch of snowA kingdom of enslavementAnd it looks like you’re pharaohThe wind is howling like the burning bush of GodCouldn’t keep it in, He gave me a rodDon’t let them down, don’t let them stayBe the good Hebrew you never knew you wereReveal and feel, you must let them go, Free them, Pharaoh!Let them go, let them goCan’t hold my people back anymoreLet them go, let them goDon’t turn away, open the door!You’ll regretIf you make them stayLet the plagues rage on,The boils never bothered me anyway!It’s funny how some distanceMakes everything seem smallAnd the fears that once controlled meCan’t get to me at all!It’s time to see what I can doTo test the limits and break throughNo right, no wrong, no rules for me I’m free!Let them go, let them goI AM said God from on highLet them go, let them goOr your first born will die!Here I standAnd here I’ll stayLet the plagues rage on!God’s power flurries through the air into the groundThe cows are dying and the frogs are raining downAnd one thought crystallizes like a hail-filled blastWe’re never going back,The past is in the past!Let them go, let them goAnd we’ll rise like the break of dawnLet them go, let them goYour slave labor will be gone! Here I standIn the light of dayLet the plagues rage on,The boils never bothered me anyway!

durnesque-esque:

datfamilybusiness:

Let them go.

Inspired by (x)

The sand glows white in the desert tonight
Not a single patch of snow
A kingdom of enslavement
And it looks like you’re pharaoh

The wind is howling like the burning bush of God
Couldn’t keep it in, He gave me a rod

Don’t let them down, don’t let them stay
Be the good Hebrew you never knew you were
Reveal and feel, you must let them go,
Free them, Pharaoh!

Let them go, let them go
Can’t hold my people back anymore
Let them go, let them go
Don’t turn away, open the door!

You’ll regret
If you make them stay
Let the plagues rage on,
The boils never bothered me anyway!

It’s funny how some distance
Makes everything seem small
And the fears that once controlled me
Can’t get to me at all!

It’s time to see what I can do
To test the limits and break through
No right, no wrong, no rules for me I’m free!

Let them go, let them go
I AM said God from on high
Let them go, let them go
Or your first born will die!

Here I stand
And here I’ll stay
Let the plagues rage on!

God’s power flurries through the air into the ground
The cows are dying and the frogs are raining down
And one thought crystallizes like a hail-filled blast
We’re never going back,
The past is in the past!

Let them go, let them go
And we’ll rise like the break of dawn
Let them go, let them go
Your slave labor will be gone!

Here I stand
In the light of day
Let the plagues rage on,
The boils never bothered me anyway!

johnnysjetpack:

tchy:

dark-vowelled:

sclez:

durendals:

there is literally no difference between academic scholars discussing their interpretations of a text and a bunch of people yelling YOUR HEADCANON IS WRONG at each other

As a Masters student I can vouch for this.

The difference is citations.

image

Ok, but have you considered…

sam-sour-wolf:

  • The guy living below me has a really loud alarm clock that always wakes me up at the ass crack of dawn AU
  • I went to investigate a scream and found my neighbour standing on a chair to avoid a rat/cockroach/snake AU
  • My neighbour has a really squeaky bed and my bedroom is right below theirs AU
  • Someone keeps stealing my doormat AU
  • My pet tarantula escaped and I forgot to warn the guy below me who is scared of spiders AU
  • I need you to pet sit my pet this weekend and I forgot to mention it’s a giant snake, the mice are in the freezer, thanks bye! AU
  • The apartment above me has left their tap on or something and water is LEAKING THROUGH MY CEILING WTF! AU
  • My neighbour’s sister got the wrong house number and barged into my apartment AU
  • The guy next door/my roommate always steals my coffee, so I started to make extra AU

APARTMENT AUs! (ノ◕ヮ◕)ノ